With Son of God, Noah, God’s Not Dead, Heaven Is for Real, and Exodus: Gods and Kings coming soon, God has been a popular source of movie material this year. Son of God has racked up over $59 million since its release. Noah is at about $98 million, while Heaven is for Real and God’s Not Dead are hanging around $55 million.
What do all of these movies have in common?
The history of Jesus in recent film is very white. From Franco Zeffirelli’s Jesus of Nazareth, Scorsese’s the Last Temptation of Christ, Gibson’s the Passion of the Christ, and Son of God, Jesus is a white guy every time. Gibson’s film makes Jesus only seem Middle Eastern because Jim Caviezel, wore a prosthetic nose and his eyes were digitally enhanced to appear brown. Gibson essentially put Caviezel in black face to play Jesus. I’ll give Son of God a little credit since Diogo Morgado is Portuguese. At least we are headed in the right direction.
But no matter what, America still likes a good, white Jesus.
The movie you probably did not hear about was filmed in Jordan and Bulgaria, by a Palestinian director, with a Jordanian cast, and written in Arabic. It was based on the Gospel of Luke and premiered in Turkey. Not a single white person is in the movie – not even the Romans.
There’s one hang-up – there are Muslims who play many of the roles in the film. Of the many marketing reasons including the language issue, the fact that Muslims are even in the movie isn’t exactly a big selling point for a US Christian audience.
For the brave souls who can tolerate a brown Jesus surrounded by brown people from the same region in which the biblical narratives took place, the film is called The Savior and you might want to see it.
Many Christians berate all of the white Jesus images not only because Jesus was not a white guy, but that they over-emphasize the dominance of white culture and power in the world. I understand this sentiment and support it. I support it not only from the perspective of Biblical scholarship, but from the perspective of what I know about the culture and dynamics in a Middle Eastern, multi-cultural context.
So here is the preview to Savior. Want a Jesus movie more true to form? Get this one, share it, and crowd out the loud power trip of white Jesus. Prosthetic nose not included.